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Working In a Bookshop - day one

I often wondered what it would be like to work in a bookshop and on Monday, I did just that, heading the Here Comes Everyone takeover of fellow non-profit, The Tree House Bookshop of Kenilworth, WM.

George Orwell’s scathing critique of the trade, Bookshop Memories, had already prepared me for the worst: self-loathing, endless sitting and an inveitable hatred of the perfect-bound bundles of paper you are there to sell, but thankfully, only some of what he wrote holds true.

The Tree House Bookshop is a great big goldfish bowl of a place, with an entire wall of glass decorated with the Treehouse’s ace logo stencil and numerous community event posters, there’s even a pitch-perfect breakdown of the bookshop’s running costs, encouraging the natives to pitch in with donations fiscal or physical (all furniture and items in the shop are gratefully-recived gifts) or to volunteer their time to help keep the place running through the week. The shop has a strong community focus with lots of events going on and a micro-gallery upstairs.

The galss fascia makes the shop perfect for people-watching and ideal for wandering townsfolk to look in, blink at the warm, welcoming environment and then move on. The weather was a terrible but the location of the shop, next to a major car park in the town, made for consistent footfall and lots of people showed an interest, but never made it to the door.

All too often I traced the footsteps of the idle rubes, willing them to enter and at least say hello or browse through some pages - a busy shop is a happy one - as I sat there wretched in my herringbone cloak gripping an Introduction to Modernism. It doesn’t take long for the place to become a little lonely and I could see what Orwell meant about growing sick of the sight and smell of books in their rows of wooden graves all housing dead conversations. Entombed as I was by seemingly unsellable words and a relatively indfferent populace, I was a more than eager ear for the visitation of one Peter Pots, who runs a local interest website, Ken On the Web (midwarks.info).

It being Armistice Day, our conversation inevitably moved to the Second World War. Peter himself is from Prague originally and was evacuated to England in 1938 as political pressure intensified around Germany and Austria. As part of the local history society, he told me about the former Globe Hotel, which had been sited just across from the Treehouse on Abbey End.

Shortly after an intake of evacuees who were bombed out of their homes on 14/11/1940 in nearby Coventry, the Globe was hit a few days later on 21/11/1940 by a spare bomb off-loaded from a passing German bomber, it was a direct hit destroying half of the Globe Hotel.

A few sales later, my day was done amd the bookshop was kept open for another day. Would I go back? Certainly, bookshops need both sellers and buyers (readers) and there are plans afoot for another HCE takeover in the near future - I hope to see you there, I will do my best to smile.

The Tree House Bookshop

A non-profit secondhand bookshop and community hub in Kenilworth.
Blog: www.treehousesecondhandbooks.wordpress.com
Website: www.treehousebookshop.co.uk
Facebook: www.facebook.com/TreeHouseBookshop?hc_location=stream
Twitter: @TreeHouseBkshop

Find out more about the “bombing” of Kenilworth, here:

http://victorian.reuna.co.uk/index.php?option=com_content&view=article&id=18&Itemid=41

 

 

 

Creative Writing for Homeless People – Why Not?

Today, I met several homeless people in Coventry to gauge interest in a future SP project. The classic question levelled at such ventures, usually from people who aren’t homeless themselves, is why would anyone living on the streets want to waste their time writing? Surely they have more important things on their mind; where there next meal is coming from, where they are going to sleep tonight?

This is undoubtedly true. However, some of the people I met were very keen and interested in telling their version of the realities of homeless life: being trapped in a cycle of deprivation and minor debts (amounts that would seem trivial to most people) that sees the homeless endlessly shuttled from council accommodation to sheltered housing and hostels, always on the lowest rungs of the property ladder. Homeless life sounds hard and that’s because it is.

The one thing most homeless people do have lots of is time. Most of us trudge restlessly through our gainful 9-5, from home to work and back again, unwilling to reflect on the alternative. There are few constructive outlets for homeless people beyond volunteering and every day is a genuine struggle to survive, especially as winter approaches.

For the majority of us, who have never been homeless, we harbour a great deal of misconceptions about what homeless life is really like, stigmas range from widespread drug or alcohol abuse, mental health issues and no desire to work: effectively self-inflicted destitution. These are elements of homelessness that apply to only a minority of homeless people I met.

The closest most of us ever get to learning about homelessness is often third-hand, either from the mainstream media (who exploit stats and are prone to demonise) and the memoirs of authors such as George Orwell who step in and out of homelessness as a social experiment, always able to return back to their “normal” life (The Big Issue provides a much needed antidote). As my SP colleague once pointed-out, as a society, we often choose not to see people sleeping rough, we expect little from them and rarely come into direct contact, this adds to the invisibility that hides the problem of homelessness.

Some homeless people I spoke to wanted the chance to explore the possibilities of poetry or create stories from scratch, but most wanted to talk, and to write, more about their lives, day-to-day, and provide a genuine account of how each homeless person has a different experience of falling into poverty, and how they begin their journey of recovery.

I was challenged on the “use” of both creative and factual writing, and, forced to think on my feet, admitted to the experimental nature of the project (particularly the fact it might not work at all), but I countered by saying that writing, in all its forms can be a rewarding form of self-expression and communicating one’s view of the world to others.

We all depend on words and improving your writing, and being able to write well can open-up many surprising doors and helps to make a person more employable. Lots of people who aren’t homeless enjoy sufficient financial and physical security to write as a purely creative endeavour, as a (sometimes) pleasurable end in itself – why shouldn’t homeless people be offered access to the same creative support? Many people assume that the answer will always be “No” and that homeless people have nothing to say. Like any experiment, this project will probably benefit some more than others, but who cares? It might some people to rebuild their self-confidence, spark a new relationship with writing and reading and encourage people who have already decided that they can’t write, and are not expected to, to have a go and try – whatever writing comes out of the project, I feel the work invested by participants will help to humanise homeless people, educate the public and turn the tide on a popular stigma and social exclusion.

Why creative writing for homeless people?

Well, why not?